Ridicule masks are traditionally used to air grievances and destroyed when the matter is resolved. The “Redemption” mask (Mike Dangeli - Continuum) standing 1.26m tall, one-half in black native patterns and one-half face, is an imposing source of challenge and reflection; perhaps an appropriate message for the times in which we live. On a much more intimate scale Reid’s “Milky Way” necklace is as stunning as its namesake on a clear Outback night, fine gold rods form geodesic links with twinkling diamonds at each node point – an amazingly intricate and beautiful piece.
The winning athletes in these Olympics receive a medal that it also a piece of artwork in a Victory Ceremony at either Whistler or the massive BC Place dome in downtown Vancouver. Gazing at the curtain that divides the dome in half, one is struck by the authenticity of the stylised images of British Columbia depicting a lush green landscape; no snow in sight. Was the artist blessed with foresight or just tempting the weather gods? The Victory Ceremonies are an opportunity to promote Canada’s talent and diversity across its eleven provinces and three territories. Tonight’s proceedings begin with an entertaining melange of Québécois MoR artists and performers backed by a montage of scenic images straight from the tourism brochure. Headline act Gregory Charles had it tough, competently delivering a wise selection of 70’s and 80’s hits off the back of the medal ceremony that all of Canada was waiting for. Bussed in from Whistler for the benefit of 25,000 BC Place fans, Canada’s man of the moment Alexandre Bilodeau received his gold. The locals almost raised the roof in jubilation, that Canadian reserve showed a few cracks but hung in there.
Let’s Go Canada Go came alive today.
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